PROJECTS / ACTION>REACTION / 1st version

   

Refresh Conference | A-kerk, Groningen [2019]

Sjimmie Veenhuis was commissioned to create a work of art for the Noorderzon Festival in 2017. He created the light sculpture Action>Reaction, an interactive installation of 1,000 illuminated switch buttons with which you could create your own work of art. A few months after the festival, the artwork was on display at the Vismarkt from 1 to 4 November during the Let’s Gro Festival. In Action>Reaction, 

Veenhuis playfully reverses the relationship between the artist and the viewer. By operating the switches, you can create your own patterns and illustrations, or change someone else’s work. According to Veenhuis, Action>Reaction symbolises the increasing virtual experience of reality and ‘on-demand culture’. He wondered: are we still aware of the use of a switch? What does it mean to turn something on or off? [1]


 
Open Stal | Oldeberkoop [2018]

Open Stal is a summer art tour through the village of Oldebekoop, just east of Heerenveen, with many locations close to each other. Around thirty artists have shaped the 47th edition of Open Stal in very different ways. Theme of this edition: New World.

How do we deal with the world around us and what does the future look like? Questions that the artists of Open Stal 2018 have taken as the subject for the work they are showing this year. [1]

“I am looking for new applications with existing materials,” he says. That thought preceded Action>Reaction, the light sculpture that Veenhuis made last year for the Noorderzon festival in Groningen, and which has been given a second life this year. For that work he used the symbol of interaction: the button. Not for what it was originally designed for, to turn something on or off, but to offer the audience the opportunity to give it a new meaning.” [2]


 
Let’s Gro | Vismarkt, Groningen [2017]

“When we drive past the Vismarkt Square, we find many people there. A few of them watch intently as two girls try with great difficulty to create the word LOVE. From a restaurant across the street, they watched as a group of people made a heart shape, and someone else changed it into the sign of Batman before that. It triggered them to go out and try something for themselves.” [1]

“The conditions that the work has been given by the combination of software and electrical engineering have been carefully designed to ensure that the work 

functions in a multi-interpretable manner, as if it were a mirror in which everyone could see something different. One wonders what the intention is and looks for the ‘solution’, another fearlessly wants to discover how you can ‘make something’ with it, and yet others even manage to see it as a real game with rules that are determined by their own interpretations. It is particularly exciting to discover how differently people interpret the work.The various projections of public interpretations that are unleashed exceed expectations and are very surprising!” [1]


 
Noorderzon | Noorderplantsoen, Groningen [2017]

“With Action>Reaction, I playfully invert the relationship between myself as an artist, and the visitor,” Veenhuis explains. “This inversion is a result of the commission itself, which stated that the piece had to incorporate an interactive element. I thought of this stipulation as being quite challenging, initially, as art is interactive by its very nature. Eventually, I formed the idea to use an on­and­off switch. As a symbol for interaction. By removing the reference of these switches to turning the function of a device either on or off, as is usual, the switches suddenly refer only to their own inherent function. In a sense, they do not switch anything on or off other than them­ selves. And through that choice, the inversion of ‘creator’ and ‘beholder’ was established in one simple movement. That idea made me very enthusiastic.” [1] 

The concept of Action>Reaction is to allow visitors to control a series of on-and-­off switches. Their actions cause particular light patterns to appear, changing shape with each and every decision they make. You never know what’s going to happen. This way, one can not only

create their own artwork, but also alter that of another. [2] 

Although Veenhuis knows exactly how the interactive piece itself should perform, he is more cautious when it comes to reactions of the public. What does he hope to achieve? Is it his intention to provoke certain thoughts in the minds of the public? To learn how to play?

“I have no expectations of what the public will do, the piece can have a multitude of meanings within its form and context. I would have no problem seeing it being used as a playful attraction, as this outcome is inherent to a commission for an interactive installation. But to me personally, the work does deal with a certain subject matter. To me, the work symbolizes our increasing ‘on­demand’ culture, in which we take for granted the fact that we always have everything available to us. As such, Action>Reaction is a concrete, and literally tangible, reflection of the dominant mechanism which prescribes that everything we could wish for is made available at the simple touch of a button.” [3]